Showing posts with label originally under a pen name. Show all posts
Showing posts with label originally under a pen name. Show all posts

Thursday, April 23, 2015

Mary Shelley

1840 portrait by Richard Rothwell
Mary Wollstonecraft Shelley (1797-1851) is by far best known for her legendary 1818 novel, Frankenstein, Or: The Modern Prometheus, in which she essentially invented the genre of science fiction. Married, at the time, to the Romantic poet Percy Bysshe Shelley (who purpled up the prose of Frankenstein quite a bit), she famously came up with the idea for the story for a ghost-story competition during "Year Without a Summer" between her, Percy, Lord Byron, Mary's step-sister and Byron's lover Claire Clairmont, and John William Polidori, and wouldn't you have liked to be a fly on the wall for that gathering. She went on to write several other novel, travelogues, and biographies and appears to have been rather a political radical, possibly influenced by the works (if not the specific ideas) of her father, anarchistic philosopher William Godwin, and her mother, noted women's rights activist and philosopher Mary Wollstonecraft (whom Mary Shelley herself never knew).


Frankenstein: Or, The Modern Prometheus:

Volume One, Letters I to IV:

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Volume One, Chapters One and Two:

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Volume One, Chapters Three and Four:

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Volume One, Chapters Five and Six:

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Volume One, Chapter Seven:

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Volume Two, Chapters One and Two:

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Volume Two, Chapters Three and Four:

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Volume Two, Chapters Five to Seven:

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Volume Two, Chapters Eight and Nine:

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Volume Three, Chapters One and Two:

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Volume Three, Chapter Three:

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Volume Three, Chapter Four:

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Volume Three, Chapters Five and Six:

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Volume Three, Chapter Seven:

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Sunday, July 6, 2014

Sense and Sensibility, by Jane Austen

Published in 1811 under the creative pseudonym of "A Lady," this was Jane Austen's first published novel (Pride and Prejudice was written first, but published later.) One of the prototypes of what would eventually be called the "romantic comedy," it focuses on the Dashwood sisters, Elinor and Marianne, and their vastly different temperaments. Elinor is calm, sensible, and reserved, while Marianne allows every feeling to be the MOST IMPORTANT FEELING EVER. How they respectively fare in romance is the main of the plot, but as important (and often forgotten by those with only a passing acquaintance with Austen's work) is a razor sharp wit that also makes this one of the prototypical comedies of manners.

Volume the First

Volume the First, Chapters One to Three:

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Volume the First, Chapters Four to Eight:

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Volume the First, Chapters Nine to Eleven:

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Volume the First, Chapters Twelve to Fourteen:

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Volume the First, Chapters Fifteen to Seventeen:


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Volume the First, Chapters Eighteen and Nineteen:


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Volume the First, Chapters Twenty and Twenty-One:


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Volume the First, Chapter Twenty-Two:

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Volume the Second

Volume the Second, Chapters One and Two:

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Volume the Second, Chapters Three and Four:


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Volume the Second, Chapters Five and Six:

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Volume the Second, Chapters Seven and Eight:

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Volume the Second, Chapter Nine:

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Volume the Second, Chapters Ten and Eleven:

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Volume the Second, Chapters Twelve and Thirteen:

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Volume the Second, Chapter Fourteen:


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Volume the Third

Volume the Third, Chapter One:

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Volume the Third, Chapters Two and Three:

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Volume the Third, Chapters Four and Five:

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Volume the Third, Chapters Six and Seven:

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Volume the Third, Chapter Eight:

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Volume the Third, Chapters Nine and Ten:

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Volume the Third, Chapters Eleven and Twelve:

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Volume the Third, Chapters Thirteen and Fourteen:

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